Skip to main content
Digital Archive Toronto Public Library Homepage
Dirty sahemes chick and carol. It they don't move on, the audiences will get tired
Dirty sahemes chick and carol. It they don't move on, the audiences will get tired

Dirty sahemes chick and carol. It they don't move on, the audiences will get tired

Date2/21/1966
Names
(photographer)
Format
Notes
Original Toronto Star caption: Dirty sahemes chick and carol. It they don't move on, the audiences will get tired
Medium
Language
ProvenanceFrom the Toronto Star Archives
CollectionToronto Star Photograph Archive
Usage Rights Copyright (Learn More)
Copyright HolderToronto Star (Firm)
Call Number / Accession NumberTSPA_0101432F
Sylvia Tyson wants her audiences to have a lively time but they don't want anything to do with such a thing
Sylvia Tyson wants her audiences to have a lively time but they don't want anything to do with such a thing
10/28/1976
Director of the revue Don't Bother Me, I Can't Cope, Vinnette Carroll is delighted at the way Toronto audiences are responding to her musical at the R(...)
Director of the revue Don't Bother Me, I Can't Cope, Vinnette Carroll is delighted at the way Toronto audiences are responding to her musical at the R(...)
6/21/1973
Your Grandchildren might lose respect for you if they learned you'd passed up the dig chance to get in on the Koscot company's pyramid-selling plan, Larry Turner tells Toronto audiences
Your Grandchildren might lose respect for you if they learned you'd passed up the dig chance to get in on the Koscot company's pyramid-selling plan, Larry Turner tells Toronto audiences
8/25/1970
Carol Robinson. She's left Dirty Shames
Carol Robinson. She's left Dirty Shames
12/20/1966
Toeckey Jones: Writer who left South Africa for England more than 20 years ago doesn't think he's promoting false optimism in anti-racist drama for young audiences
Toeckey Jones: Writer who left South Africa for England more than 20 years ago doesn't think he's promoting false optimism in anti-racist drama for young audiences
2/7/1993
Phil Nimmons has been playing for school audiences since 1966
Phil Nimmons has been playing for school audiences since 1966
5/7/1970
Big effort: Tom Kneebone and Dinah Christie last night took on the challenge of the Ontario Place Forum's vastness, compared to the intimacy of their usual supper club haunts, and reviewer Ron Hambleton says they eneded up playing to a series of small audiences
Big effort: Tom Kneebone and Dinah Christie last night took on the challenge of the Ontario Place Forum's vastness, compared to the intimacy of their usual supper club haunts, and reviewer Ron Hambleton says they eneded up playing to a series of small audiences
7/7/1980
Mr. Cabaret' Tom Kneebone is thankful for the Toronto audiences who have come to see him over 23 years. 'This particular town has been very good to me,' he says. 'Then I've been good to the town, too.'
Mr. Cabaret' Tom Kneebone is thankful for the Toronto audiences who have come to see him over 23 years. 'This particular town has been very good to me,' he says. 'Then I've been good to the town, too.'
10/7/1986
Tort Vs. Tartan: Jim Scott will doff court silks for piper regalia to perform before McLaughlin Bandshell audiences this summer as pipe-major to the band his law firm sponsors.
Tort Vs. Tartan: Jim Scott will doff court silks for piper regalia to perform before McLaughlin Bandshell audiences this summer as pipe-major to the band his law firm sponsors.
6/21/1988
Musical Maestro: Victor Di Bello, who brings classical music to schools, uses theatrics and props to stretch the attention span of his audiences
Musical Maestro: Victor Di Bello, who brings classical music to schools, uses theatrics and props to stretch the attention span of his audiences
2/8/1990
The claims of temperance societies; a lecture delivered to the Young men's literary society at L'Original and subsequently to respectable audiences at Montreal, St. Andrews, and Quebec
The claims of temperance societies; a lecture delivered to the Young men's literary society at L'Original and subsequently to respectable audiences at Montreal, St. Andrews, and Quebec
1841
Talk about recognition. Getting a standing ovation at the Cannes Film Festival - from critics and audiences - for your directorial debut and having yo(...)
Talk about recognition. Getting a standing ovation at the Cannes Film Festival - from critics and audiences - for your directorial debut and having yo(...)
6/3/1991