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<objects xmlns:xs="//www.w3.org/2001/XMLSchema"><count>2</count><object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>src: https://digitalarchive.tpl.ca/internal/media/dispatcher/1971760/full</value></field><field label="Title" name="title"><value>Apocalypse soon? Nadine Gordimer's July's People imagines a situation in South Africa when the blacks have finally rebelled against the white minority and turned relationships upside down</value></field><field label="Date" name="displayDate"><value>9/30/1981</value></field><field label="Primary Maker" name="primaryMaker"><value>Gordimer, Nadine, 1923-2014</value></field><field label="Object number" name="invno"><value>TSPA_0050867F</value></field><field label="Id" name="id"><value>7625178</value></field><field label="Source ID" name="sourceId"><value>268712</value></field></object><object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>src: https://digitalarchive.tpl.ca/internal/media/dispatcher/1971762/full</value></field><field label="Title" name="title"><value>Nadine Gordimer: South African writer indicates in her most recent work that the logical outcome of oppression is indiscriminate bloodshed, yet refrains from sounding the apocalyptic note</value></field><field label="Date" name="displayDate"><value>9/30/1981</value></field><field label="Primary Maker" name="primaryMaker"><value>Gordimer, Nadine, 1923-2014</value></field><field label="Object number" name="invno"><value>TSPA_0050868F</value></field><field label="Id" name="id"><value>7625179</value></field><field label="Source ID" name="sourceId"><value>268713</value></field></object></objects>